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820-34 --- Engelse literatuur: sprookje; legende; mythe --- 820-34 Engelse literatuur: sprookje; legende; mythe --- Comic, The, in literature --- Difference (Psychology) in literature --- Fear in literature --- Gothic revival (Literature) --- Horror tales, English --- Humorous stories, English --- History and criticism --- NEO-GOTHIQUE (LITTERATURE) --- LITTERATURE D'EPOUVANTE ANGLAISE --- ROMAN HUMORISTIQUE ANGLAIS --- DIFFERENCE (PSYCHOLOGIE) DANS LA LITTERATURE --- COMIQUE (LITTERATURE) --- PEUR DANS LA LITTERATURE --- GRANDE-BRETAGNE --- HISTOIRE ET CRITIQUE
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82:396 --- 820 "17/18" --- 820-34 --- 820-34 Engelse literatuur: sprookje legende mythe --- Engelse literatuur: sprookje legende mythe --- 820 "17/18" Engelse literatuur--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Engelse literatuur--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- English fiction --- Feminism and literature --- Gothic revival (Literature) --- Horror tales, English --- Patriarchy in literature --- Sex role in literature --- Women and literature --- 820-34 Engelse literatuur: sprookje; legende; mythe --- Engelse literatuur: sprookje; legende; mythe --- Literature --- English literature --- Women authors&delete& --- History and criticism --- Patriarchy in literature. --- Sex role in literature. --- Women authors --- History and criticism.
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Psychological study of literature --- Literature and psychoanalysis --- Literatuur en psychoanalyse --- Littérature et psychanalyse --- Psychanalyse et littérature --- Psychoanalyse en literatuur --- Psychoanalysis and literature --- Vampiers in de literatuur --- Vampires dans la littérature --- Vampires in literature --- 82-312.9 --- 82-392 --- 820-34 --- Ghost stories --- -Gothic revival (Literature) --- -Horror tales, American --- -Horror tales, English --- -Psychological fiction --- -Vampires in literature --- -Psychoanalysis and literature --- -Literature and psychoanalysis --- Psychoanalytic literary criticism --- English horror tales --- American horror tales --- Ghosts --- Horror tales --- Literatuur. Gotische roman(ce) --- Engelse literatuur: sprookje; legende; mythe --- Gothic revival (Literature) --- Horror tales, American --- Horror tales, English --- Psychological fiction --- Vampires in literature. --- -Fantastische literatuur --- 820-34 Engelse literatuur: sprookje; legende; mythe --- 82-312.9 Fantastische literatuur --- -820-34 Engelse literatuur: sprookje; legende; mythe --- Fantastische literatuur --- History and criticism --- Fiction --- Thematology --- English literature --- History and criticism. --- Horror tales [English ] --- Horror tales [American ] --- Great Britain --- United States --- Ghost stories - History and criticism. --- LITTERATURE D'EPOUVANTE AMERICAINE --- LITTERATURE D'EPOUVANTE ANGLAISE --- NEO-GOTHIQUE (LITTERATURE) --- REALISME MAGIQUE (LITTERATURE) --- VAMPIRES DANS LA LITTERATURE --- FANTOMES DANS LA LITTERATURE --- PSYCHANALYSE ET LITTERATURE --- KING (STEPHEN), 1947 --- -RADCLIFFE (ANN) --- SCOTT (WALTER, SIR), 1771-1832 --- HOGG (JAMES) --- MATURIN (C.R.) --- LeFANU (J.S.) --- HISTOIRE ET CRITIQUE --- ETATS-UNIS --- GRANDE-BRETAGNE
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James Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between various writers or works. Central to his argument about these works' writing and reception is a nuanced understanding of their political import: Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, a reconsideration of the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics. Watt concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and examines the process by which the Gothic came to be defined as a monolithic tradition, in a way that continues to exert a powerful hold.
English fiction --- Horror tales, English --- Gothic revival (Literature) --- Politics and culture --- Romanticism --- Literary form. --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Culture --- Culture and politics --- History and criticism. --- Political aspects --- 82-392 --- 82-34 --- 820 "17" --- 820-34 --- -English fiction --- -Gothic revival (Literature) --- -Horror tales, English --- -Romanticism --- -Literary form --- -Form, Literary --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- English horror tales --- 820 "17" Engelse literatuur--18e eeuw. Periode 1700-1799 --- Engelse literatuur--18e eeuw. Periode 1700-1799 --- Literatuur. Gotische roman(ce) --- Sprookje. Legende. Mythe --- Engelse literatuur: sprookje; legende; mythe --- -History and criticism --- History and criticism --- History --- -History --- -82-392 --- -English literature --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- 820-34 Engelse literatuur: sprookje; legende; mythe --- 82-34 Sprookje. Legende. Mythe --- -Social aspects --- Gothic fiction (Literary genre), English --- Literary form --- English gothic fiction (Literary genre) --- Arts and Humanities --- 18th century --- Horror tales [English ] --- 19th century --- Great Britain --- English literature --- -Political aspects
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